Book V: The Disloyal Animal
Dancing in the Backwoods began not as a project but as a contagion of thought, une fièvre née du sol.
It grew through correspondence and collision, through a long conversation between refusal and fascination, between the anarchists who fled civilization and those who lingered to witness its slow decay. It is a dance with those who dismantled the myth of progress yet refused the purity of return.
Each book became a gesture in that dance, a cosmology of egoiste sensibility, erotic materialism, and feral ethics. Book I, The Feral Masquerade traced the mythic descent, The Soil Remains Intoxicated wrote the theology of ruin, Nothing Is Innocent unveiled the ethics of sovereignty, The Wild Ethics of Maternal Presence gestured toward creation as rebellion, and this book, The Disloyal Animal , exposes the psychic domestication that binds the modern self.
The disloyal animal exists without premise, climax, or resolution. Her presence is hors récit, ungoverned by the sentimental structure of “overcoming.” The text is a lived, erotic refusal of the pact, of belonging, of sentimental duty. It is a shattering of the humanist sentiment of alliance.
The Dancing in the Backwoods Series is:
Book I ~ The Feral Masquerade: A Dionysian Cosmology of Egoïste Entanglement: a descent into myth and entanglement.
Book II ~ The Soil Remains Intoxicated: A Cosmology in Ruins,: written from within fertile ruin.
Book III ~ The Wild Ethics of Maternal Presence: on exposure, proximity, and trace.
Book IV~ Nothing Is Innocent: a treatise on rot, refusal, and sensory consequence
Book V ~ The Disloyal Animal: on treachery and the refusal to remain legible, with the quiet architectures of domestication exposed.
Book VI ~ No Kingdom Comes: On Blasphemy and the End of Empire: on empire, revelation, and the end of salvation with power and piety unmasked, and dismantled without mercy. L’Empire nu sous ses derniers dieux.
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Book V: The Disloyal Animal
Dancing in the Backwoods began not as a project but as a contagion of thought, une fièvre née du sol.
It grew through correspondence and collision, through a long conversation between refusal and fascination, between the anarchists who fled civilization and those who lingered to witness its slow decay. It is a dance with those who dismantled the myth of progress yet refused the purity of return.
Each book became a gesture in that dance, a cosmology of egoiste sensibility, erotic materialism, and feral ethics. Book I, The Feral Masquerade traced the mythic descent, The Soil Remains Intoxicated wrote the theology of ruin, Nothing Is Innocent unveiled the ethics of sovereignty, The Wild Ethics of Maternal Presence gestured toward creation as rebellion, and this book, The Disloyal Animal , exposes the psychic domestication that binds the modern self.
The disloyal animal exists without premise, climax, or resolution. Her presence is hors récit, ungoverned by the sentimental structure of “overcoming.” The text is a lived, erotic refusal of the pact, of belonging, of sentimental duty. It is a shattering of the humanist sentiment of alliance.
The Dancing in the Backwoods Series is:
Book I ~ The Feral Masquerade: A Dionysian Cosmology of Egoïste Entanglement: a descent into myth and entanglement.
Book II ~ The Soil Remains Intoxicated: A Cosmology in Ruins,: written from within fertile ruin.
Book III ~ The Wild Ethics of Maternal Presence: on exposure, proximity, and trace.
Book IV~ Nothing Is Innocent: a treatise on rot, refusal, and sensory consequence
Book V ~ The Disloyal Animal: on treachery and the refusal to remain legible, with the quiet architectures of domestication exposed.
Book VI ~ No Kingdom Comes: On Blasphemy and the End of Empire: on empire, revelation, and the end of salvation with power and piety unmasked, and dismantled without mercy. L’Empire nu sous ses derniers dieux.
Shipping calculated automatically at checkout according to weight et destination.
View our Shipping & Circulation Information.
